Aurora Boreal exposes the durability of things. It reflects on the durability of a stage work. Can it change over time? Does it need to change, or remain frozen?
The fleeting nature of things as a social requirement already established, apparently approved by society. Where are we going? What do we want? What do we create?
Aurora Boreal is based on this concept of being exposed to a society of fleeting consumption, where human attention is increasingly scarce. Like the dance that light performs in Nordic geographies, these apparent fleeting luminosities, which only occur at a certain time of the year, patience is cultivated, and it is so fast that it leaves us with a feeling of fleeting serenity: the ephemeral is the changing, where the object is very important in relation to the body as a parallelism or interaction.
The machinery of desire.
The intimacy of movement.

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PREMIERE 2025

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